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September 21, 2019

Oralmente Pola Boca por Xose Cid Cabido

Titulo del libro: Oralmente Pola Boca

Autor: Xose Cid Cabido

ISBN:

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There is a writer who has demonstrated a long time ago, with imaxinación and irony, the crevices and darkest recesses of our contemporaneity, of what we live by, what we imagine or what we read in the xornais. Volve o Cid characterized by stylistic restraint, to dispense with two exquisite and tortuous linguistic adobios, for the pursuit of direct and spontaneous communication, and a sought after and conscious advantage that obtains or to make an eminently oral literary discourse that, with an apparent symmetry, Which results in some improvised reports. What, then, does this Orally for the Mouth mean in the narrative corpus of the author? These stories tend to insist on the deepening of the commonplace that the author adopts, but, in our opinion, implicitly entails greater maturity, a lesser reflexivity, a higher dose of self-criticism, and constructive wandering. It is therefore a perfect link to the previous work, this book of stories like to delve into, it fits with more attention, ambiguities, double senses, perception of the real sometimes sifted by a thin veil that diffuses the reality until arriving To ask us where is the border, where the border. More importantly, it prefigures a reader to be actively involved, a task of (re-) construction, (re-) interpretation of what is narrated to cover lagoons, indeterminacies, , Which is to Cid in this group of concerned authors, not only to have a quick, quick and benign account, but also for a story that forces us to think and reflect. Thus, from that sort of evidentialist manifesto that prologa the low volume or title of "Extenuation", or "Waiting for Monroi", a unique exercise of paratextual imaging, a total of eight stories are arranged, articulating with success and alternately the first and Third person and that they construct atmospheres that little by little camiñan face to the dark or the unexpected one. There they agroman personaxes dominated by dubious poles and the whims of chance, passion, uncertainty, violence, death and absurdity. A volume, in short, that testifies to a progressive and autoesixencia slope adopted by the author. Literature of and for adults, disagreeable, and disdainful, before the one that is no longer inThere is a writer who has demonstrated to long time ago, with imaxinación and irony, the crevices and darkest recesses of our contemporaneity, of what we live by, what We imagine or what we read in the xornais. Turn the Cid characterized by stylistic restraint, to dispense with two exquisite and tortuous linguistic adobios, for the pursuit of direct and spontaneous communication, and the sought after and conscious advantage that obtains or to make an eminently oral literary discourse that, with an apparent symmetry , Which results in some improvised reports. What, then, does this mean for the Mouth in the narrative corpus of the author? These stories tend to insist on the deepening of the commonplace that the author adopts, but in our opinion, implicitly entails greater maturity, lesser reflexivity, a higher dose of self-criticism, and constructive wandering. It is therefore a perfect link to the previous work, this book of stories like to delve into, it fits with more attention, ambiguities, double senses, perception of the real sometimes sifted by a thin veil that diffuses the reality until arriving To ask us Where is the border? More importantly, it prefigures a reader to be actively involved, a task of (re-) construction, (re-) interpretation of what is narrated to cover lagoons, indeterminacies,, which is to Cid in this group of concerned authors, not only To have a quick, quick and benign account, but also for a story that forces us to think and reflect. Thus, from that sort of evidentialist manifesto that prologa the low volume or title of "Extenuation", or "Waiting for Monroi", a unique exercise of paratextual imaging, the total of eight stories are arranged, articulating with success and alternately the first and Third person and that they construct atmospheres that little by little walk the face to the dark or the unexpected one. There they agroman personaxes dominated by dubious poles and the whims of chance, passion, uncertainty, violence, death and absurdity. A volume, in short, that testifies to a progressive and autoesixencia slope adopted by the author. Literature of and for adults, disagreeable, and disagreeable, before the one that has no in